Rooted in the storied past of Nothe Fort in Weymouth, this work assembles a collage of time—woven from fragments of historic maps, handwritten letters, and archival photographs. Each material acts as a residue of lived experience, revealing the human presence behind this historic landmark.

 

Through a tactile layering process—cutting, embedding, erasing, and revealing—the work invites viewers to consider how histories are constructed, erased, and reimagined.

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Part of a collective exhibition Layers and Traces